11 May 2008

amul: (Default)
Apparently, both VH1 and Bravo have reality shows about photographers either in production or in planning, but I can't find any information or episodes.

While I despise reality TV in general, the idea of being on a reality show where I travel around the globe and get exposure and training is.....intriguing.
amul: (Default)
Conventional wisdom suggests that you should paint the room you do your digital editing in with a flat, dark, neutral color. This minimizes the potential color-casting of the light which reflects onto your monitor, and lets you set up a viewing area using lighting which mimics the color coming out of your monitor -- that way, the white on the paper will look like the white on your monitor, so you know all the colors fall where they should.

Of course, you also need a separate area, or second light source, which mimics the sorts of crappy lighting conditions most people will actually look at your work in, but that's a digression.

It's sort of hard to imagine the space of my someday-studio, and even harder to decorate it in an interesting fashion, all of this being in my mind's eye. But the last several fiction authors whom I've read all said the same thing in their Afterwards that I'm hearing in these interviews with successful photographers on these podcasts. That point is, no one has ever become great who was cautious, no one who ever said "Oh, no, that would be going too far." The famous ones, the rich ones, the happy ones all say the same thing: be as cool as you can be, and then have a friend talk you into being even cooler. Shoot for the Awesome, and hope you overshoot the mark. Wear your passion and energy on your sleeve, or else play a different game.

This is in stark contradiction to my mother's favorite saying, which is "What will Other People think?"

I can't find the Afterward now, but one of my favorite writers, I think it is Steven Brust, has a plaque over his computer which reads "Be Extremely Cool" that he looks at every time he thinks he's gone too far. I think that would make a good addition to my editing room too.

Edit: Steven Brust responded to my attempt to find his quote:

Amul @ 27 : First of all, thanks.

Second, I have quoted, on a number of occasions, advice Gene Wolfe once gave a certain writer. The advice is to tape a 3×5 index card above your computer, and on the card write, “I’m going to tell you something cool.” The advice has been attributed to me a couple of times, but it is actually Mr. Wolfe’s, though I certainly subscribe to the spirit.



But I also think I'll take a giant 3" brush and a can of flat black paint to the dark grey wall behind my computer, and I'll write these words like some kind of messianic Last Message:

Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when my fear is gone I will turn and face fear's path, and only I will remain.


And perhaps, on the door, with a more delicate hand, I will write It is by will alone that I set my mind in motion.
amul: (Default)
Hopefully, I have created a temporary fix for the spam issue I've been having. What's most disturbing to me is the number of people who have told me, "Oh, I saw those on your feed. I assumed you had put them there yourself." I'm not sure how I should respond to the idea that posting pornographic links on my business blog seems appropriate.

Anyway, I've been running to catch up with deadlines ever since Strictly Business 2, and haven't had time to fully process everything. Perhaps the most important thing I've learned is how to price my commercial assignments. While this is a long and involved process which rightfully took two full days to describe to me, the first step is the most important step: Your Cost of Doing Business.

In order to make money as a photographer, you need to know how much it is costing you to be a photographer. Therefore, you need to calculate your Cost of Doing Business, and the NPPA has a very useful online calculator for doing just that.

Once you know your CODB, you also need to know what a reasonable amount of time to earn that bare minimum is. Conventional wisdom suggests that a full-time commercial photographer will spend 100 to 120 days "on set." The rest of the time is spent getting work. Conventional wisdom (and this time I mean it as a sort of pun, as it is the wisdom I learned from the convention I attended last month) also suggests that working more than 120 days is a surefire way to give yourself a heart attack or a divorce.

So take your CODB and divide it by 100. This is the price you should set your "Creative Fee" at, and if you end up working 120 days, you've just earned 20*CODB profit.
amul: (Default)
I've been making a hobby of trying to come up with good photo-related slang. I just saw another great one during the horribly down-spiraling debates on the Orphan Works legislation:

"Again: who's your lawyer and where the f/8.0 was s/he???"

I am absolutely going to have to start using "f/8" in polite society from now on.
amul: (Default)
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